On a long train journey over the weekend I sat down with Michelle Paver’s Wakenhyrst, and I devoured it at one go.
There. That’s probably all you need to know but I feel I ought to make a bit more of an effort to tell you what I loved about it, and the book certainly deserves it. It’s a complex, compelling, dark, twisted, wonderful, readable book.
It’s set in the early part of the twentieth century and it’s the story of Maud, a child when the story begins. Stuck in a house on the edge of the fens with a wealthy but eccentric father, an irritating younger brother (who, being a boy, is granted seniority) and a long-suffering mother whose endless pregnancies almost all seemed destined to end in miscarriage or death, Maud has a grim coming of age.
I quote from the blurb. “When [her father] finds a painted medieval devil in a graveyard, unhallowed forces are awakened. Maud's battle has begun. She must survive a world haunted by witchcraft, the age-old legends of her beloved fen – and the even more nightmarish demons of her father's past.”
There was so much to love about this book. The sinister fenland with its lingering spirits is drawn as a place that would drive anyone mad. Even Maud, a practical young woman, begins to believe in evil things that creep around the corridors of Wake’s End, the house, at night. The characterisation is wonderful, the story telling extraordinary, so that I was drawn into it and just kept reading and reading and reading.
If there was one thing I didn’t like about it, it was the prologue and epilogue that brought the story into the 1960s. Yes, there was information there that tied up the loose ends of the story, but I didn’t feel it was necessary and slightly weakened the whole thing for me. Not much, though, and certainly not enough to stop me recommending it to anyone looking for a darkly satisfying read.
Thanks to Netgalley and Head of Zeus for a copy of this book in return for an honest review.
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