Book Review: Wakenhyrst by Michelle Paver

On a long train journey over the weekend I sat down with Michelle Paver’s Wakenhyrst, and I devoured it at one go.

There. That’s probably all you need to know but I feel I ought to make a bit more of an effort to tell you what I loved about it, and the book certainly deserves it. It’s a complex, compelling, dark, twisted, wonderful, readable book.

It’s set in the early part of the twentieth century and it’s the story of Maud, a child when the story begins. Stuck in a house on the edge of the fens with a wealthy but eccentric father, an irritating younger brother (who, being a boy, is granted seniority) and a long-suffering mother whose endless pregnancies almost all seemed destined to end in miscarriage or death, Maud has a grim coming of age.

I quote from the blurb. “When [her father] finds a painted medieval devil in a graveyard, unhallowed forces are awakened. Maud's battle has begun. She must survive a world haunted by witchcraft, the age-old legends of her beloved fen – and the even more nightmarish demons of her father's past.”

There was so much to love about this book. The sinister fenland with its lingering spirits is drawn as a place that would drive anyone mad. Even Maud, a practical young woman, begins to believe in evil things that creep around the corridors of Wake’s End, the house, at night. The characterisation is wonderful, the story telling extraordinary, so that I was drawn into it and just kept reading and reading and reading.

If there was one thing I didn’t like about it, it was the prologue and epilogue that brought the story into the 1960s. Yes, there was information there that tied up the loose ends of the story, but I didn’t feel it was necessary and slightly weakened the whole thing for me. Not much, though, and certainly not enough to stop me recommending it to anyone looking for a darkly satisfying read.

Thanks to Netgalley and Head of Zeus for a copy of this book in return for an honest review.

Once Upon A River by Diane Setterfield: Book Review

If I’ve taken my time to get round to reviewing Once Upon A River, it’s because I don’t know quite how to approach what must be up there with the best books I’ve read this year. 

These days I don’t read much literary fiction and haven’t read anything by Diane Setterfield, so I wasn’t quite sure what to expect. The story begins at some point in the late nineteenth century, in the Swan Inn on the River Thames. It’s winter and the regulars are sitting telling stories when and injured man staggers in and collapses — and he’s carrying a drowned child. 

The man survives and the little girl turns out not to be drowned but that’s the beginning of the mystery. The child can’t be identified and there are three families who are, or claim to be, missing a daughter of that age. The wealthy Vaughans lost their daughter, Amelia, to a kidnapper and she was never returned. Little Alice went missing when her mother committed suicide, and housekeeper Lily is improbably convinced that the girl is her little sister, Anne. That’s the plot, but it’s so much more complicated than that. And it’s a tale made wonderful by the telling. 

I’m a sucker for a proper setting, for a book that’s bedded into its landscape, and this book follows the river. All the families are tied to it. It gives and it takes away, a constant presence and a constant risk. The book is peopled by a multitude of characters, far too many to mention individually, but every one of them is believable and their lives are woven together.

Diane Setterfield tells a tale that twists and turns like the river itself, revealing secrets and surprises at every turn and leading to a satisfying conclusion. The real lives are woven with the folklore of the river and the ever-present spectre of Quietly, the boatman who appears to those who fall into the river, taking those whose time has come to the darkness of the river and returning those who aren’t ready to die to the safety of the bank. 

Once Upon A River is a compelling, moving book, and I absolutely loved it. 

Thanks to Netgalley and Random House UK for an advance copy of this book in return for an honest review.